The first track, ‘Invocation’, begins with a reverberation of bells surrounding me before suddenly a cacophony of noise that spans mechanical friction, splices of distant AM radio and undulating feedback startles amidst the serenity. The soothing chimes of the bells have become a distant memory. Soon though, drones via Forrest Marquise’s fiddle and Ian McColm’s harmonium come into focus, recalling that meditative state that the bells invoked. The track proceeds with rising harmonic overtones at the forefront, grounded by Bachman’s drifting melodic guitar lines filtering through. I closed my eyes, absorbed and lying within the noise as it proceeded on its sonic exposition, lasting for over 18 minutes.
Global leaders collected in Paris for the United Nations Framework Convention on Climate Change (UN FCCC) Conference of Parties (COP21) in early December to resolve collective action on the issue. The Earth’s changing landscapes and the telling experiences of climate refugees are the tangible evidence of three decades of research. The Earth’s conditions are inching […]