The first track, ‘Invocation’, begins with a reverberation of bells surrounding me before suddenly a cacophony of noise that spans mechanical friction, splices of distant AM radio and undulating feedback startles amidst the serenity. The soothing chimes of the bells have become a distant memory. Soon though, drones via Forrest Marquise’s fiddle and Ian McColm’s harmonium come into focus, recalling that meditative state that the bells invoked. The track proceeds with rising harmonic overtones at the forefront, grounded by Bachman’s drifting melodic guitar lines filtering through. I closed my eyes, absorbed and lying within the noise as it proceeded on its sonic exposition, lasting for over 18 minutes.
“Everything in New York is a photograph. All the things that are supposed to be dirty or rough or unrefined are the most beautiful things. Garbage cans at the ends of alleyways look like they’ve been up all night talking with each other. Doorways with peeling paint look like the wise lines around an old […]
Moogfest closed out the 2018 festival with a forum where Professor Mark Anthony Neal, Chair of the African American Studies Department at Duke University, and KRS-One dove into conversation. The author/philosopher/MC/teacha traced his inquisitive, expressive nature to childhood, where his mother engaged him in her studies of esoteric Christianity, meditation, occult arts, philosophy and the […]
When the speech ended, the floor opened for questions from the audience when a man asked why it felt as though the fate of civilization rested on these elections…
All photos and captions are from Magnus Wennman’s series Where the Children Sleep in which he documents the experience of Syrians seeking refuge across the Middle East and Europe. Check him out on Instagram. Maram, 8, in Amman, Jordan Eight-year-old Maram had just come home from school when the rocket hit her house. A piece of the […]